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From that point, the song never stands still-it has the breathless momentum of the fleeing friend Jada instructs, at the end of its first verse, to pass him a dirty gun. The first three words hit with the kick drums. YouвЂ™ll find people who argue for either PacвЂ™s opening ad-lib or the beginning of his verse proper on вЂњ Hit вЂ™Em UpвЂќ there are those who might take Chuck DвЂ™s вЂњI got a letter from the government, the other dayвЂќ from вЂњ Black Steel in the Hour of ChaosвЂќ or even Pimp CвЂ™s вЂњThe gameвЂ™s fucked up, I ainвЂ™t got no friendsвЂќ from вЂњ Akickdoe!вЂќ There are throw pillows embroidered with вЂњ It was all a dream.вЂќ But the most unforgettable opening of a rap song ever committed to wax is on that Alchemist-produced song, JadakissвЂ™s вЂњ We Gonna Make ItвЂќ: How Clipse and the Neptunes Made a Classic With вЂLord WillinвЂ™вЂ™ Kanye West Resurrected a Retired Rap Group. And yet this is one of those rare, serpentine industry tales where the beat ends up exactly where it should. There are innumerable versions of this story, where the beat eventually gets buried deep on an album by a rapper who has it foisted on them by an A&R, or another producer gets to the same sample while everyone is waiting around, shuffling buyout agreements.

But when that LP got held up during the Priority-Capitol merger, Alchemist moved on-this led to a much-publicized feud between the two that was later papered over. (When the beat got passed to Millennium Thug, the producer backed out.) Ras Kass, who was working on what would have been his third album, the famously shelved Van Gogh, actually recorded to it. There was the session where he actually tracked it for Nas, who was then working on the QBвЂ™s Finest compilation, and led Alchemist to believe it would be one of his solo songs on that record. There was the time at Baseline when he played it for Jay-Z. But when Preemo gave the beat his highest compliment-вЂњYeah, I can rap to thisвЂќ-Alchemist knew it was time to shop it.

So when DJ Premier dropped by to hear what the younger producer was working on, Alchemist wasnвЂ™t sure how the legend would react. He didnвЂ™t think his flip was perfect: The handclaps heвЂ™d added werenвЂ™t exactly right. This discussion can inspire the design of lighter and flexible bio-inspired armour systems that are more efficient in resisting ballistic attacks.A little over 20 years ago, Alchemist, the Beverly HillsвЂ“bred producer who at that point was best known for his work with Dilated Peoples and Mobb Deep, began chopping up the break that comes three and a half minutes into a Samuel Jonathan Johnson song from 1978. The investigations that have been found to be most relevant to the development of bio-inspired armour systems for dynamic impact resistance have also been discussed. The techniques and methodologies available for the analysis, fabrication and experimental investigations of bio-inspired armour composites and systems are also reviewed in detail. Other biological structures with the potential for ballistic protection have also been investigated, including crustacean exoskeletons and compact bone, which possess structures with important features and properties that may inspire the development of future soldier armours. In this paper, a systematic review is conducted to identify the structural-mechanical characteristics of selected biological armour systems such as nacre from mollusc shells, conch shells and fish scaled skin.

Natural/biological armour materials and assemblies offer remarkable properties that can inspire the design of lightweight, flexible and tough body armours. There is an urgent need to reduce the weight and increase the flexibility of body armours without compromising their ballistic protection capability. Designing and manufacturing multi-functional, lightweight and high-performance body armour materials and assemblies have attracted intense attention recently due to fast-growing military applications.

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